SLAP MAGAZINE REVIEW
As well as the ticketed artists at this year's Cheltenham Jazz Festival, there was a bustling, exciting and diverse fringe, called “...around town”, with performers playing on three free stages and in a number of small venues. The Free Stage, set up in the main arena area in Montpellier Gardens at the top of the town was host to some tremendous acts, and none more so than Londoners, Pixie & the Gypsies. Their debut album, “Honey Trap” hit the top of the iTunes jazz chart on its release last year and as they breeze into the title track, it's immediately apparent why it was so popular. I say ‘breeze’ for two reasons. Firstly there’s a unbelievably airy lightness to this set, which they manage to achieve with out any loss of the music's impact; and secondly, because it’s quite clear they're having a wonderful time on stage, and that transmits rapidly to an enthralled and packed audience, being nicely warmed up by the music in an open marquee that’s rapidly turning into an ice box as the evening draws in. The original numbers from the album display both consistency and quality, with memorable melodies and some glorious harmony work. They play without a drummer or percussionist, so that means Twm Dylan on double bass really has to put in a shift, pumping out booming rhythm on the uptempo numbers and displaying much subtlety when the pace drops. This solid backdrop
allows Matt Wilson on guitar and Connie Chatwin on violin to really stretch out in the instrumental passages, with fluent, chiming soloing from Wilson and Chatwin alternating between rapid fire arpeggio and lush sweeps of dense sound - her supporting vocals are also excellent. And front and centre, there’s lead vocalist Taylor Notcutt - 'Pixie' of the title - looking bravely Summery amid the chill, who delivers a vocal performance that combines power, flexibility and pitch perfection in one very satisfying package. Whatever the song demands, she produces. There are also brief glimpses of her skill on the accordion, adding to the gypsy ambience. The set list is faultless, and in places unexpectedly startling. There’s a raft of covers sitting alongside the original material from 'Honey Trap' - Melody Gardot is a band favourite, ‘If the Stars Were Mine' is gloriously romantic and there's a respectful nod of the head to Fats Waller in 'Believe it, Beloved'. But the band doesn’t confine itself to jazz covers. Kaiser Chiefs, anyone? The Killers? The thought of swing and gypsy jazz interpretations of indie rock anthems ‘Every Day ILove You Less and Less' and (inevitably) ‘Mr. Brightside' might sound unlikely but they work spectacularly well, and at times the alternative treatments recall the left-field flair displayed by Postmodern Jukebox. But it’s really the quality of the originals that reinforce the band's credentials - as well as the title track which is a great opener, ‘Head Over Heart', ‘Social Lies’ and the wistful 'Mr. Right' all explore contemporary themes against the traditional swing background. My favourite though, is the brand new ‘00:25', a vibrant and amusing cautionary tale about over-indulgence. Great track. They may not be round this way very often, so don’t miss them if they play near you - a band to lift your heart and soul.